{"id":127025,"date":"2019-08-18T14:57:19","date_gmt":"2019-08-18T18:57:19","guid":{"rendered":"https:\/\/stateofthenation2012.com\/?p=127025"},"modified":"2019-08-18T14:59:06","modified_gmt":"2019-08-18T18:59:06","slug":"ten-of-the-best-performances-at-woodstock-1969","status":"publish","type":"post","link":"https:\/\/stateofthenation2012.com\/?p=127025","title":{"rendered":"Ten of the Best Performances at Woodstock 1969"},"content":{"rendered":"<h1>Woodstock 50 Years Later: 10 Standout Performances<\/h1>\n<p><!--more-->Nate Todd<br \/>\nJamBase<\/p>\n<p><a href=\"https:\/\/stateofthenation2012.com\/wp-content\/uploads\/2019\/08\/jimi-hendrix-woodstock-980x526.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-127027\" src=\"https:\/\/stateofthenation2012.com\/wp-content\/uploads\/2019\/08\/jimi-hendrix-woodstock-980x526.jpg\" alt=\"\" width=\"980\" height=\"526\" srcset=\"https:\/\/stateofthenation2012.com\/wp-content\/uploads\/2019\/08\/jimi-hendrix-woodstock-980x526.jpg 980w, https:\/\/stateofthenation2012.com\/wp-content\/uploads\/2019\/08\/jimi-hendrix-woodstock-980x526-300x161.jpg 300w, https:\/\/stateofthenation2012.com\/wp-content\/uploads\/2019\/08\/jimi-hendrix-woodstock-980x526-768x412.jpg 768w\" sizes=\"auto, (max-width: 980px) 100vw, 980px\" \/><\/a><\/p>\n<div class=\"featured-media featured-media-img\">\n<div class=\"media-img\"><\/div>\n<\/div>\n<div class=\"article-content\">\n<p>Nowadays, summer is music festival season. There are so many music festivals that it\u2019s hard to decide which one(s) to go to. But it wasn\u2019t always that way. It took the granddaddy of them all, Woodstock, to usher in the era of the music festival. While it had its predecessors, 1967\u2019s Monterey Pop Festival for instance, in 1969, Woodstock was <em>The Festival<\/em>. And there will never be another one like it.<\/p>\n<p>Along with its cultural and socio-political implications, the gravity of the musical artists that graced the Woodstock stage on Max Yagur\u2019s farm outside of Bethel, New York is what made it so historic. At the time, they were some of the most popular acts around. But now, looking through the lens of history, the bands and artists that played Woodstock are among the greatest of all time. These acts include <strong>Jimi Hendrix<\/strong>, <a class=\"band-link sc-band-link\" href=\"https:\/\/www.jambase.com\/band\/the-who\">The Who<\/a>, <strong>The Band<\/strong>, <a class=\"band-link sc-band-link\" href=\"https:\/\/www.jambase.com\/band\/Santana\">Santana<\/a>, <strong>Janis Joplin<\/strong> and more.<\/p>\n<p>Today, August 18, marks the 50th anniversary of the closing day of the legendary festival (which spilled into a fourth day due to rain and other delays with Jimi Hendrix closing out the festival on Monday, August 18). To celebrate, JamBase takes a look at some of these historic performances for this edition of <em>Sunday Cinema<\/em>.<\/p>\n<h2>Richie Havens \u2013 Freedom (August 15, 1969)<\/h2>\n<p><strong>Richie Havens<\/strong> opened up the festival on Friday around 5:00 p.m. The folk troubadour took the stage with just his guitar in front of nearly half a million people (he was backed by additional guitar and percussion). Not necessarily a marquee act, Havens was told to extend his set to \u201ckill time\u201d as other groups were being choppered in due to the massive traffic jam surrounding the event. But Havens did more than just \u201ckill time.\u201d He captivated the massive crowd, especially with his completely improvised song \u201cFreedom (Motherless Child)\u201d to close out the set which has now become an iconic Woodstock performance. Check it out below.<\/p>\n<h3>Freedom (Motherless Child) <small>via Sebastian Walter<\/small><\/h3>\n<div class=\"embed-wrap embed-www-youtube-com \">\n<div>\n<div><iframe title=\"Richie Havens - Freedom at Woodstock 1969 (HD)\" src=\"https:\/\/cdn.iframe.ly\/RJB8azz?playerjs=1&amp;maxheight=870&amp;img=1&amp;lazy=1&amp;v=1&amp;app=1\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"lazy-ad-unit\">\n<div class=\"sense sense-inline-1 sense-300x250 sense-728x90 sense-728x90-woodstock-50-years-later-10-standout-performances text-center clearfix\">\n<div id=\"ezoic-pub-ad-placeholder-111\" class=\"sense-body\">\n<div id=\"div-gpt-ad-1510693831666-1\" class=\"lazy-tag\" data-unitname=\"InArticle1\" data-google-query-id=\"div-gpt-ad-1510693831666-1\">\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<h2>Santana \u2013 Soul Sacrifice (August 16, 1969)<\/h2>\n<p>The legendary Santana hit the Woodstock stage around 2:00 p.m. on Saturday. But at the time, Carlos Santana and his band were anything but legendary. Relatively unknown outside of San Francisco, Woodstock put Santana in front of a largely new audience and in many ways was the beginning of the legend. Carlos has since spoken candidly about how he was tripping on LSD for most of the set. Nonetheless, Carlos and the band\u2019s version of \u201cSoul Sacrifice\u201d is electrifying and nearly flawless.<\/p>\n<h3>Soul Sacrifice <small>via NEA ZIXNH<\/small><\/h3>\n<div class=\"embed-wrap embed-www-youtube-com \">\n<div>\n<div><iframe title=\"Santana - Soul Sacrifice 1969 \" src=\"https:\/\/cdn.iframe.ly\/l7bn99T?playerjs=1&amp;maxheight=870&amp;img=1&amp;lazy=1&amp;v=1&amp;app=1\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<\/div>\n<\/div>\n<hr \/>\n<h2>Creedence Clearwater Revival \u2013 Born On The Bayou &amp; More (August 17, 1969)<\/h2>\n<p>Led by <a class=\"band-link sc-band-link\" href=\"https:\/\/www.jambase.com\/band\/john-fogerty\">John Fogerty<\/a>, <strong>Creedence Clearwater Revival<\/strong> jumped up on stage just after midnight on Day Two (technically Sunday). The San Francisco-based band followed another San Francisco act: the <a class=\"band-link sc-band-link\" href=\"https:\/\/www.jambase.com\/band\/grateful-dead\">Grateful Dead<\/a>. While the Dead were undoubtedly a tough act to follow \u2014 Fogerty claimed that their set went long and that many had gone to bed by the time Creedence took the stage \u2014 the Dead set was fraught with technical issues due to rain, and recordings, audio or video, are spotty or nonexistent. But CCR weathered the storm so to speak and much of their set has survived for posterity.<\/p>\n<h3>Born On The Bayou, I Put A Spell On You &amp; Keep On Chooglin\u2019 <small>via Cal Vid<\/small><\/h3>\n<div class=\"embed-wrap embed-www-youtube-com \">\n<div>\n<div><iframe title=\"Creedence Clearwater Woodstock Complete (Enhanced Video)\" src=\"https:\/\/cdn.iframe.ly\/iS2lJKa?playerjs=1&amp;maxheight=870&amp;img=1&amp;lazy=1&amp;v=1&amp;app=1\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<\/div>\n<\/div>\n<div class=\"lazy-ad-unit\">\n<div class=\"sense sense-inline-2 sense-300x250 sense-728x90 sense-728x90-woodstock-50-years-later-10-standout-performances text-center clearfix\">\n<div id=\"ezoic-pub-ad-placeholder-112\" class=\"sense-body\">\n<div id=\"div-gpt-ad-1510693831666-2\" class=\"lazy-tag\" data-unitname=\"InArticle2\" data-google-query-id=\"div-gpt-ad-1510693831666-2\">\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<h2>Janis Joplin \u2013 Ball &amp; Chain (August 17, 1969)<\/h2>\n<p>The always electrifying Janis Joplin hit the stage directly after CCR at around 2:00 a.m. Janis had parted ways with <strong>Big Brother &amp; The Holding Company <\/strong>less than a year before and had just released her first solo album, <em>I Got Dem Ol\u2019 Kozmic Blues Again Mama!<\/em>, in 1969, from which she and the band drew much of the original material for their Woodstock set. Their rendition of Big Mama Thornton\u2019s \u201cBall &amp; Chain\u201d closed out the set and is one of the highlights.<\/p>\n<h3>Ball &amp; Chain <small>via David Olivares<\/small><\/h3>\n<div class=\"embed-wrap embed-www-youtube-com \">\n<div>\n<div><iframe title=\"Janis Joplin Ball &amp; Chain Live At Woodstock 1969\" src=\"https:\/\/cdn.iframe.ly\/kZ00IGk?playerjs=1&amp;maxheight=870&amp;img=1&amp;lazy=1&amp;v=1&amp;app=1\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<\/div>\n<\/div>\n<hr \/>\n<h2>The Who \u2013 My Generation (August 17, 1969)<\/h2>\n<p>The Who was the face of rowdy rock \u2018n\u2019 roll at the time. Known for destroying their instruments and other offstage antics, The Who did not disappoint at Woodstock, taking the stage around 5:00 a.m. on Sunday morning. But the theatrics \u2014 Pete Townshend notoriously clubbed activist Albert Hoffman with his guitar for rushing out onto the stage \u2014 largely took a backseat to how damn good they were. The band would play most of their rock opera <em>Tommy<\/em>, but the penultimate song of their set, \u201cMy Generation,\u201d was anthemic of the entire Woodstock generation.<\/p>\n<h3>My Generation <small>via RockIsDeadTheySay :\u2019)<\/small><\/h3>\n<div class=\"embed-wrap embed-www-youtube-com \">\n<div>\n<div><iframe title=\"The Who - My Generation [Live at Woodstock 1969]\" src=\"https:\/\/cdn.iframe.ly\/qz9DvbV?playerjs=1&amp;maxheight=870&amp;img=1&amp;lazy=1&amp;v=1&amp;app=1\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<\/div>\n<\/div>\n<div class=\"lazy-ad-unit\">\n<div class=\"sense sense-inline-3 sense-300x250 sense-728x90 sense-728x90-woodstock-50-years-later-10-standout-performances text-center clearfix\">\n<div id=\"ezoic-pub-ad-placeholder-113\" class=\"sense-body\">\n<div id=\"div-gpt-ad-1510693831666-3\" class=\"lazy-tag\" data-unitname=\"InArticle3\" data-google-query-id=\"div-gpt-ad-1510693831666-3\">\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<h2>Jefferson Airplane \u2013 White Rabbit (August 17, 1969)<\/h2>\n<p>San Francisco Sound progenitors <strong>Jefferson Airplane<\/strong> were scheduled to headline the festival on Saturday night but ended up playing in the dawn hours of Sunday morning after The Who\u2019s raucous performance. Singer <strong>Grace Slick<\/strong> famously prefaced their set by saying, \u201cAlright friends, you have seen the heavy groups, now you will see morning maniac music, believe me, yeah\u2026 It\u2019s the new dawn.\u201d Check out Slick and Airplane\u2019s Woodstock rendition of the psychedelic classic \u201cWhite Rabbit\u201d below:<\/p>\n<h3>White Rabbit <small>via StupeurAlice<\/small><\/h3>\n<div class=\"embed-wrap embed-www-youtube-com \">\n<div>\n<div><iframe title=\"Jefferson Airplane - White Rabbit (Grace Slick, Woodstock, aug 17 1969)\" src=\"https:\/\/cdn.iframe.ly\/CEQKzeJ?playerjs=1&amp;maxheight=870&amp;img=1&amp;lazy=1&amp;v=1&amp;app=1\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<\/div>\n<\/div>\n<hr \/>\n<h2>Joe Cocker \u2013 With A Little Help From My Friends (August 17, 1969)<\/h2>\n<p>While The Beatles didn\u2019t play Woodstock, their music was well represented at the festival. But perhaps no one covered the band better than <strong>Joe Cocker<\/strong>. He and his group\u2019s version of \u201cWith A Little Help From My Friends\u201d truly embodies the word \u201ciconic.\u201d No less iconic are Cocker\u2019s enraptured movements and his transcendent scream during the song\u2019s second bridge. Check out the performance below:<\/p>\n<h3>With A Little Help From My Friends <small>via Jimmysrock 2010<\/small><\/h3>\n<div class=\"embed-wrap embed-www-youtube-com \">\n<div>\n<div><iframe title=\"JOE COCKER With A Little Help From My Friends 1969 Woodstock\" src=\"https:\/\/cdn.iframe.ly\/2I4a7MW?playerjs=1&amp;maxheight=870&amp;img=1&amp;lazy=1&amp;v=1&amp;app=1\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<\/div>\n<\/div>\n<div class=\"lazy-ad-unit\">\n<div class=\"sense sense-inline-4 sense-300x250 sense-728x90 sense-728x90-woodstock-50-years-later-10-standout-performances text-center clearfix\">\n<div id=\"ezoic-pub-ad-placeholder-114\" class=\"sense-body\">\n<div id=\"div-gpt-ad-1510693831666-4\" class=\"lazy-tag\" data-unitname=\"InArticleSlot4\" data-google-query-id=\"div-gpt-ad-1510693831666-4\">\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<h2>Country Joe &amp; The Fish \u2013 Fish Chant &amp; I Feel Like I\u2019m Fixin To Die Rag (August 17, 1969)<\/h2>\n<p>While many of the acts at Woodstock embraced the protest spirit of the time, <strong>Country Joe &amp; The Fish<\/strong> perhaps best embodied that spirit. Frontman <strong>Country Joe McDonald<\/strong> had already played a solo set on Saturday afternoon. But he and <strong>Barry \u201cThe Fish\u201d Melton <\/strong>and company were filling in for Jethro Tull on Sunday evening. The band got the crowd in the protest spirit with their \u201cFish Chant,\u201d which spelled out the word \u201cFuck,\u201d and the Vietnam protest song \u201cI Feel Like I\u2019m Fixin To Die Rag.\u201d<\/p>\n<h3>Fish Chant &amp; I Feel Like I\u2019m Fixin To Die Rag <small>via Dima T<\/small><\/h3>\n<div class=\"embed-wrap embed-www-youtube-com \">\n<div>\n<div><iframe title=\"Country Joe &amp; the Fish - VietNam Song - Live Woodstock 1969 - Full HD Video\" src=\"https:\/\/cdn.iframe.ly\/fMrecbM?playerjs=1&amp;maxheight=870&amp;img=1&amp;lazy=1&amp;v=1&amp;app=1\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<\/div>\n<\/div>\n<hr \/>\n<h2>The Band \u2013 Tears Of Rage (August 17, 1969)<\/h2>\n<p>At the time, The Band was perhaps most famous for backing <a class=\"band-link sc-band-link\" href=\"https:\/\/www.jambase.com\/band\/bob-dylan\">Bob Dylan<\/a> a few years earlier. But they were quickly on their way to becoming one of the most celebrated bands in rock \u2018n\u2019 roll history. They were also a local act of sorts, taking up residence in the now famous \u201cBig Pink\u201d house just down the road from Bethel in West Saugerties, New York, after which they would name their 1968 debut album, <em>Music From Big Pink<\/em>. The Band would play a number of tunes from the album at Woodstock including the Dylan co-write \u201cTears Of Rage.\u201d<\/p>\n<h3>Tears Of Rage <small>via bandmusic1968<\/small><\/h3>\n<div class=\"embed-wrap embed-www-youtube-com \">\n<div>\n<div><iframe title=\"The Band - \" src=\"https:\/\/cdn.iframe.ly\/Not0nkh?playerjs=1&amp;maxheight=870&amp;img=1&amp;lazy=1&amp;v=1&amp;app=1\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<\/div>\n<\/div>\n<div class=\"lazy-ad-unit\">\n<div class=\"sense sense-inline-5 sense-300x250 sense-728x90 sense-728x90-woodstock-50-years-later-10-standout-performances text-center clearfix\">\n<div id=\"ezoic-pub-ad-placeholder-115\" class=\"sense-body\">\n<div id=\"div-gpt-ad-1510693831666-5\" class=\"lazy-tag\" data-unitname=\"InArticleSlot5\" data-google-query-id=\"div-gpt-ad-1510693831666-5\">\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<h2>Jimi Hendrix \u2013 The Star-Spangled Banner (August 18, 1969)<\/h2>\n<p>One can\u2019t help but write about Woodstock without throwing the word \u201ciconic\u201d around. But like Joe Cocker\u2019s performance, Jimi Hendrix\u2019s festival-closing set on Monday is not only iconic in itself, but embodies the spirit of the entire festival, especially his rendition of \u201cThe Star-Spangled Banner.\u201d Hendrix\u2019s choice to include America\u2019s national anthem was tongue and cheek and something of a protest to U.S. policies at home and abroad. Musically, turning the national anthem into a psychedelic scream signaled that a new America was emerging.<\/p>\n<h3>The Star-Spangled Banner <small>via user666<\/small><\/h3>\n<div class=\"embed-wrap embed-www-youtube-com \">\n<div>\n<div><iframe title=\"Jimi Hendrix - National Anthem U.S.A (Woodstock 1969)\" src=\"https:\/\/cdn.iframe.ly\/OXaz02G?playerjs=1&amp;maxheight=870&amp;img=1&amp;lazy=1&amp;v=1&amp;app=1\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<\/div>\n<\/div>\n<p>[Hat Tip \u2013 <a href=\"https:\/\/woodstock.fandom.com\/wiki\/Main_Page\" target=\"_blank\" rel=\"noopener noreferrer\">Woodstock Wiki<\/a>]<\/p>\n<p>___<br \/>\n<a href=\"https:\/\/www.jambase.com\/article\/woodstock-50-years-later-10-standout-performances\">https:\/\/www.jambase.com\/article\/woodstock-50-years-later-10-standout-performances<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Woodstock 50 Years Later: 10 Standout Performances<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-127025","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/stateofthenation2012.com\/index.php?rest_route=\/wp\/v2\/posts\/127025","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stateofthenation2012.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/stateofthenation2012.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/stateofthenation2012.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/stateofthenation2012.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=127025"}],"version-history":[{"count":0,"href":"https:\/\/stateofthenation2012.com\/index.php?rest_route=\/wp\/v2\/posts\/127025\/revisions"}],"wp:attachment":[{"href":"https:\/\/stateofthenation2012.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=127025"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/stateofthenation2012.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=127025"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/stateofthenation2012.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=127025"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}